This week was an important one.
AI adoption in music is especially hard for listeners of traditional genres to accept. That makes it difficult to earn a place in the moments where you have direct contact with the audience. In that sense, becoming a festival partner is genuinely valuable.
To become more present in the music industry, we will keep working to take part in festivals and build visibility there. Festivals are the heart of music, and earning acceptance there matters a great deal.
Another important point is that the one metric I saw as missing on the road to PMF has slowly started to move. The most meaningful development is seeing users spend days with the product and actually reach the outcome we promised.
What does that mean? People with no musical background are coming in, creating albums, and getting those albums released on platforms. It is still very early, but seeing albums released under the RockAgent label is encouraging.
I am happy with the direction we are moving in because, after 5 months of building around this thesis, we are finally starting to see it work in the real world.
Major changes and developments are also coming on the team side. To compete on the global stage, we need to build a truly elite global team – and that is exactly what I am going to do.
No stopping. There is still a lot to prove.
